imo they shouldn't have opened the big scary cylinder
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Een sinister geheim is jaren verborgen gehouden door een verlaten kerk in Los Angeles. Door de dood van een priester van een mysterieuze sekte, neemt een andere priester een kijkje in de kelder van de kerk en ontdekt een vat met groene vloeistof. De priester vraagt een groep mensen om op onderzoek uit te gaan. Langzamerhand wordt duidelijk wat er in het vat zit.
Vandaag geen speeltijden voor Prince of Darkness in Los Angeles.
imo they shouldn't have opened the big scary cylinder
100 John Carpenter's Ultimate Achievement. Contains an intellectual affect of Halloween's abstraction of Evil, an interior distortion of the exterior sieges in Assault on Precinct 13, The Thing, and Ghosts of Mars, and an unquantifiable visual model for the broken parameters surrounding our existence. In Prince of Darkness, The Shape is not just omnipresent and conscious like he is in Haddonfield, donning a white mask, but ancient and rooted in the unknown reality of the world, swirling and cascading against the physical structures in which it easily surmounts. What we fear and what we question - mirrors, sex, death, the emotional discontinuity of our bodies in relation to each other, the possibility of life beyond - is effortlessly conquered by Him, a being who knows all and is unfazed by our triviality, our personal stake in worthlessness. A rare work of art that dares to wrestle with not just who or what we are, but our complete lack of comprehension. Carpenter's film is a masterwork in all the traditional aspects; the hallways that seem to take on a solar system in and of themselves and yet still ensnare; the synth-score hard-wired to your pulse; the evidence of the physical world always against us, of being utterly alone; the group dynamics beginning as a community before slowly losing their unification, breaking off into scattered remnants; the smooth, seemingly controlled-by-a-wave steadicam, stumbling forward like a zombie on rollerskates etc. But the reasoning behind its grand achievement is that it combines Carpenter's greatest strengths with a genuine inquisitive sorrow. He's looking to scare because he's scared too. Aren't we all?
NEVER GO TO GRAD SCHOOL!!!!A group of grad students team up with the Catholic Church to investigate a jar of Nikelodeon's Gak which is housed in an ancient church in downtown Los Angeles that looks like a set from "It's Always Sunny in Philadelphia." The Gak contains the "Anti-God" and ends up jizzing all over them.Carpenter's scariest movie imo. One of his goofiest in a lot of ways, but scariest score, and definitely the most gruesome and terrifying images he's ever put to film. I especially like when that one guy gets consumed by beetles and then their writhing chitinous mass reconstitute his body and wears his skin so he can deliver a message to his fellow co-eds: "I've got a message for you and you're not going to like it: PRAY FOR DEATH."
A group of graduate students and scientists join a priest in an abandoned church to investigate a mysterious, ancient liquid that threatens to unleash an apocalypse.
John Carpenter directed this 1987 film, which remains a noted entry in his filmography of supernatural horror.