I hate Star Trek. What the fuck is "You are my superior officer. You are also my friend. I have been, and always shall be yours"?? Bitch I'm gonna cry my eyes out.
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Regie Nicholas Meyer
An acclaimed, moving action.
Ohne es zu wissen, landet Chekov auf dem Planeten, auf den Kirk einst Khan verbannte. Der zwingt den Russen, seinen Ex-Captain herzulocken. Zugleich hat Khan es auf das Projekt Genesis abgesehen, das Kirks einstige Liebe Dr. Marcus zusammen mit ihrem gemeinsamen Sohn leitet. Es soll die Schöpfung fruchtbarer Welten auf öden Planeten ermöglichen. Als Kirk mit einer Enterprise voller Neulinge eintrifft, greift ein Föderationsschiff an. Khan führt dort das Kommando…
Heute keine Spielzeiten für Star Trek II: The Wrath of Khan in Los Angeles.
I hate Star Trek. What the fuck is "You are my superior officer. You are also my friend. I have been, and always shall be yours"?? Bitch I'm gonna cry my eyes out.
Everybody's dressed so well in this one. It's winter on the Enterprise.It's very funny that the conventional wisdom is that Shatner can't act. He can. He just acts in a way that makes boring people feel embarrassed. Good.
The one that takes place in San Francisco.The best Star Trek movie, even Shatner is genuinely moving at the end of this one. I'd like to make special acknowledgment of the amazing original score by James Horner and how beautiful the special effects look, especially during the thrilling climax where the Enterprise and Reliant battle in the nebula. Ricardo Montalbán is so sick as Khan, A+ ham acting, riffing on Moby Dick "He tasks me! I'll chase him round the moons of Nibia and round perdition's flames" and generally displaying a masterclass in swag. The Seti Alpha 5 earwig scene scared the shit out of me when I was kid. Wonderful film.
The crew of the Starship Enterprise faces a former nemesis who has escaped exile and seeks revenge by stealing a devastating secret weapon.
The film was directed by Nicholas Meyer, a writer and director known for his contribution to the franchise's shift toward a more literary, grounded tone in 1982.
While it did not win major academy awards, it is widely cited as the most acclaimed film in the series by both critics and audiences.