the cave scene: hot, sexythe assault scene: scary the bobcat and painting of the city: funniest thing i've seen in my life anyways men in westerns love to be like i'm a murderer and rapist but those indians are the real problem [banjo music]
We use cookies to personalize your experience and analyze traffic. You can opt out at any time.
Der Witwer Matt Calder hat sich entschlossen, nach langen einsamen Jahren zusammen mit Sohn Mark endlich ein neues Leben zu beginnen. Doch die Reise hat kaum begonnen, da scheint schon alles vorbei. Matt wird von dem brutalen Spieler Harry Weston ausgeraubt und angeschossen. Völlig unerwartet jedoch ist die Reaktion von Westons Verlobter Kay: Sie verschiebt die geplante Heirat, um Matt höchstpersönlich gesund zu pflegen. Doch Matt will seine Rache an Weston auf jeden Fall. Er lockt Kay in die vorbereitete Falle: Auf einer Floßfahrt auf dem reißenden Wildfluss soll es geschehen. Doch Matt hat sich verrechnet. Die Gefahr ist größer, als er es sich träumen kann...
Heute keine Spielzeiten für River of No Return in Los Angeles.
the cave scene: hot, sexythe assault scene: scary the bobcat and painting of the city: funniest thing i've seen in my life anyways men in westerns love to be like i'm a murderer and rapist but those indians are the real problem [banjo music]
Marilyn tricked me into watching a Western 😭
Mitchum basically sexually assaults Monroe and then kidnaps her (but the dirty prospectors are sooo much worse?). The Native Americans are faceless terrors. The river is so cheezily portrayed, so obviously fake as to be laughable, but the funniest moment is when someone gets shot in the back. It isn't intended to be, but holy hell, it's absurd. December count: 81/100
An itinerant farmer and his young son are forced to team up with a saloon singer to navigate a dangerous river after her husband betrays them during the Pacific Northwest gold rush.
The film was directed by Otto Preminger in 1954, a filmmaker known for his influential work in mid-century American studio cinema.
The film is considered a notable artifact of mid-century cinema, widely recognized for the star pairing of its leads despite modern criticisms regarding its dated effects and narrative tone.