I’ve been having issues sleeping at night for the last two weeks, lots of stuff going on in my head yadda yadda, so I’ve been trying to pop in movies that I love but don’t watch often—personalized deep cut favorites that I love to cherrish via sparsed out viewings. Night of the Comet is one of those movies—a 1980’s scifi horror end of the world comet zombie jam that emphasizes humor and thought provoking situations via Dawn of the Dead-esque consumerism anthropology. I love the cast, leftover human dust remains, that neon radio station, mall montage/shootout, and that score! Theres a specific piece of music that plays on the blu ray menu and throughout the film that’s one of my favorite soundwaves... sometimes I leave the menu on for hours when I write reviews here on letterboxd. I find the cinematography of empty LA streets with that red-orange colored skyline combined with that score and deliberate pacing to be absolutely hypnotic—this movie just screams my favorite kind of aesthetic.Sure, there’s not a lot of comet zombies, horror, or scifi in this but I really don’t care, I sop up stuff like this and Night of the Creeps—both being clever pastiches of their genre mashing. I used to have this at 4 or 4.5 stars but I was an idiot and gotta go full 5 now, I love this so much, and between this and Sole Survivor, Thom Eberhardt created two moody and very specific atmos filled cult classics that are so up my alley it’s not even funny—the kind of atmosphere I like to dub, the perfect mood.Long story short, I’m glad I popped this in—it’s one of my all timers and could easily slip into my top 4 at any moment.














