i, too, would become obsessed with having paula beer in my house. minor petzold but loved
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Wie durch ein Wunder überlebt die Klavierstudentin Laura bei einem Ausflug ins Berliner Umland einen schweren Autounfall. Körperlich unversehrt, aber innerlich aus der Bahn geworfen, kommt sie im Haus von Betty unter, die den Unfall beobachtet hat. Vom ersten Moment an verbindet die beiden Frauen eine tiefe Zuneigung. Laura genießt die mütterliche Fürsorge Bettys, die Arbeit im Garten, die Besuche in der Werkstatt von Bettys Ehemann Richard und ihrem Sohn Max, die gemeinsamen Essen. Es beginnt eine fast unbeschwerte, glückliche Zeit des Zusammenseins, ein Spätsommertraum, dem sich Laura und die Familie nur zu gerne überlassen. Aber da ist etwas, das nicht stimmt, ein tiefer, dunkler Schmerz, der alle vier verbindet und doch unausgesprochen bleibt. Laura spürt, dass sie aus diesem Traum erwachen müssen, um wieder leben und lieben zu können.
Miroirs No. 3 läuft derzeit in keinem Kino.
Folge dem Film in der App, um benachrichtigt zu werden, sobald Spielzeiten dazukommen.
i, too, would become obsessed with having paula beer in my house. minor petzold but loved
MIROIRS NO. 3 may not be the best Christian Petzold film but his minimalist, aching examination of complex emotions and distilling them in extremely humanistic ways remains a as powerful as ever. I spent most of the film thinking something terrible was going to happen, only to realize it already had and what I was watching was far more profound and moving. Paula Beer and Petzold remain a match made in heaven and I hope they continue to make films together forever.
The scene with Beer and Trabs awkwardly listening to the Four Seasons is one of the best of the year; the rest is Petzold playing the hits, but he has become very good at working on those terms. Great house, Beer is very good, and the shift from her perspective to the family and so her effect over the action is skillfully done. A little more narrowly conceived than his best work.
After a car accident results in the death of her boyfriend, a young piano student named Laura is taken in by a witness, only to become increasingly unsettled by the family's strange intentions.
The film was directed by the acclaimed German filmmaker Christian Petzold, known for his precise and atmospheric psychological dramas. Full schedule on Mood.