end-credits have no music: a missed opportunity to play national anthem by lana del rey
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An account of the days of First Lady, Jacqueline Kennedy, in the immediate aftermath of John F. Kennedy's assassination in 1963.
No showtimes for Jackie in Los Angeles today.
end-credits have no music: a missed opportunity to play national anthem by lana del rey
jackie looking in the mirror, crying and wiping the blood off her face is one of the most heartbreaking, superbly acted and unforgettable scenes of 2016
this is monumental. like Under the Skin and Marie Antoinette swirled together in a kaleidoscope of American history. such a dense tapestry of ideas and emotions, all of which fit into the scale of a single woman enduring the worst week of her life. so smart on the balance between life and legacy, between being and performance, between grief and guilt... not only the first Larraín that i've loved, but the first time i — an american jew for whom the kennedys have always felt like royalty from another country — feel as though i've understand their myth in any real way. what a movie.
The film provides an intimate, psychological account of First Lady Jacqueline Kennedy during the harrowing week following the 1963 assassination of President John F. Kennedy.
It was directed by Chilean filmmaker Pablo Larraín, known for his distinct biographical dramas.
Natalie Portman received an Academy Award nomination for Best Actress for her performance in the film.