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An underground, high-energy noise rock artist.
Formed in Berlin, Germany in 1987, the Caspar Brötzmann Massaker was a vehicle for its nominal leader, an acclaimed guitar virtuoso (as well as the son of saxophonist Peter Brötzmann) whose intense work summoned the spirit and power of traditions ranging from heavy metal to free jazz. A trio also comprised of bassist Eduardo Delgado Lopez and drummer Danny Arnold Lommen, the Massaker debuted in 1987 with The Tribe, a showcase for Brötzmann's dive-bombing guitar work and ominous vocals. With 1992's Der Abend der Schwarzen Folklore, the trio broadened its structural and rhythmic horizons over the course of four epic tracks ranging in sound from throbbing metal to blues; the following year's Koksofen continued the group's advancement, but only 1995's Home earned any significant mainstream attention. The live effort Zulutime was released in 1996. Mute Massaker followed four years later. ~ Jason Ankeny, Rovi
Caspar Brötzmann plays an intense blend of noise rock, free jazz, and experimental rock, characterized by his powerful and abrasive guitar work, as heard on his album "Mute Massaker".
The Caspar Brötzmann Massaker trio consists of Caspar Brötzmann on guitar, Eduardo Delgado Lopez on bass, and Danny Arnold Lommen on drums.
Caspar Brötzmann's primary project, Caspar Brötzmann Massaker, was formed in Berlin, Germany in 1987.
Follow Caspar Brötzmann on Mood to stay informed about his upcoming performances.